On 2014's Days Before Rodeo, he managed the unlikely welding job of psychedelic rock to Metro Boomin, Young Thug, and Migos' New Atlanta, deftly showing those two boundary-pushing genres' similarities, namely their penchant for druggy soundscapes and introspection balanced with hedonism. There was the grungy glam sound he lent to Yeezus tracks "New Slaves" and "Guilt Trip," his first introduction to many of us, and his defining moment in the Kanye West think tank spotlight. If there's one thing Travis Scott excels at, it's sounding cool. The majority of "Birds In The Trap Sing McKnight," right down to its title, is the product of brains that aren't Travis Scott's.
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